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. RedOne. Jennifer Lopez singles chronology ' (2009) ' On the Floor' (2011) ' (2011) ' (2009) ' On the Floor' (2011) ' (2011) Pitbull singles chronology ' (2010) 2010 ' On the Floor' (2011) On the Floor2011 ' (2011) 2011 ' On the Floor' is a song recorded by American singer for her seventh studio album, (2011). Featuring American rapper, it was released by on February 8, 2011 as the from the album.
'On the Floor' was written by, Teddy Sky, Pitbull, along with the song's producer. It is an up-tempo electro-house and song with a of 130 beats per minute. 'On the Floor' incorporates elements of and draws further musical influences from, and. Lopez recorded a Spanish-language version of the song titled ' Ven a Bailar' (English: 'Come to Dance'), which includes additional lyrical contributions from Julio Reyes Copello and. Its development was motivated by Lopez's Latin heritage and pays homage to her career-beginnings as a dancer. Within the song are recurrent elements of the 1982 Bolivian composition ' written by Gonzalo and Ulises Hermosa, a composition that gained notoriety when it was sampled by in their 1989 single '. Lopez described 'On the Floor' as an evolution of her classic sound and as something which sounded very current.
The debut and release of 'On the Floor' coincided with Lopez's appointment as a judge on the of US reality TV show, as well as several other product endorsement deals. American Idol also provided a platform to debut the single's, as well as the stage for Lopez's first live performance of the song. 'On the Floor' was met with a generally positive reception from, with editors from and drawing comparisons to Lopez's debut single, ' (1999) and follow-up single ' (1999). Commercially, 'On the Floor' is Lopez's most successful single to date, topping more than thirty national single charts. In the United States, it was Lopez's first single in four years to garner airplay, and to date has sold over four million copies, earning a triple platinum by the (RIAA) in the USA.
It resulted in being the eleventh-biggest hit of the year on the year-end charts; 'On the Floor' finished in first in Austria, Finland, Germany, Spain, Switzerland, and other countries. A was directed by TAJ Stansberry and choreographed by Frank Gatson, Jr, with fans being given the chance to vote for their preferred ending for the video. The completed clip premiered simultaneously on and during the March 3, 2011 episode of American Idol. It depicts a underground club culture where Lopez portrays a 'queen of the nightclub', among other characters. The video received critical acclaim for its lavish production, the styling and choreography, that critics felt best highlighted Lopez's abilities as a dancer. As of April 2018, the video has received over 1.2 billion views. To date, it has sold over 11 million copies worldwide, making it one of the.
When asked by MTV News, 'What was it like working with Lopez?' , RedOne replied: 'Let's face it: With J.Lo, you have to go big or go home'. He said that to make a song that sounded right for Lopez he would need 'dance, parties and her Latina heritage'.
Consequently the duo came up with 'On the Floor' which also features a rap from Pitbull. Commenting on the studio process, RedOne said, 'She's a dancer. She can sing. I was really amazed, and I had so much fun working with her, her energy and everything about her is a star, and it was natural for me to do what we did.
Lopez's seventh studio album (2011) was conceived in late 2007 and early 2008. During that time frame, under contract to, Lopez released ', a song written and produced by and, as the project's lead single. However upon release, the song failed to garner enough airplay to chart, despite topping the US chart.
Lopez subsequently left Epic Records, citing that she had fulfilled her contractual obligations and now wished to release Love? Under a new label. Upon signing with, Lopez continued working with The-Dream and Tricky Stewart, in addition to collaborating with new producers such as. It wasn't until January 2011 that Lopez teased the media about the new lead single for Love? In a tweet on her account, Lopez posted: 'I see u @RedOneOfficial!
We're making BIG things happen 'On the Floor' this new year!!!' Subsequently, on January 16, 2011, an unfinished snippet of 'On the Floor' leaked online, labelled as a production and featuring rap vocals from. It is the second time that Lopez and Pitbull have collaborated on a song, the first being ', the 2009 which reached number one on the Hot Dance Club Songs chart. According to the 's Gerrick D.
Kennedy, a full length unfinished version of 'On the Floor' leaked online over the same weekend in time for Lopez's new commercial, which premiered during the telecast of the ceremony in. The timing of the leak also coincided with Lopez's debut on judges panel for of.
Lopez confirmed the single's title as 'On the Floor' during the red carpet ceremony at The Golden Globes, before appearing the following day on the radio show for the song's US premiere. The final version of the song was uploaded to Ryanseacrest.com, where the site's editor, Sadao Turner, revealed that the final master of the song was different from the previously leaked and unfinished version. 'On the Floor' made its debut in the United Kingdom, on January 28, 2011 when it was played by DJ on his radio show, Ready for the Weekend. Benji Eisen from Music stated that Lopez had used 'genius marketing and branding' by synchronising the digital release of 'On the Floor' with the premiere of its music video on American Idol. It was added to the B-playlist on the UK's biggest mainstream radio station, on March 16, 2011.
When talking about 'On the Floor', during an interview with, Lopez said that she wanted a song that would evolve her sound, 'it feels like me today, which I like. It's not something that you hear and you're like, 'That's not her,' but you also go, 'Is that her? It's new,' and that's what I wanted.
I wanted it to be very me, but I wanted it to be me not from my first album or my second album, but for today.' Additionally, Lopez felt a strong connection to 'On the Floor' because it captured both sides of her career, singing and dancing, 'The minute RedOne played it for me, I made him play it 20 times in a row, and I just sat there at the board and I kept listening to it and listening to it. Because I really feel like, emotionally, I connected to it, but also because of how much I love to dance and how much that's always been such a big part of who I am since I started.
Since I was a little girl, I just totally connected with the idea of getting out there.' Composition. A 23-second sample of 'On the Floor', which combines a sample of ' by, with, and. Latino rapper provides vocals in two verses. Problems playing this file?
'On the Floor' is an up-tempo and song produced by that incorporates elements of and. It also contains heavy and was influenced by, and. American artist starts the song with a introduction while the melody elements of the composition, ', popularized by 's 1989 hit single '. 'On the Floor' was written by Bilal Hajji, Kinnda Hamid, Gonzalo Hermosa, Ulises Hermosa, Achraf Janussi, RedOne, Pitbull and Geraldo Sandell in the key of. It is written in the of, set at a of 130. Lopez's vocal range spans from to while the melody uses a simple of –––. The song was adapted in Spanish as 'Ven a Bailar' which featured additional lyrics by Julio Reyes Copello and.
According to and Gerrick Kennedy from the, 'On the Floor' is reminiscent of Lopez's single, ' (1999). Kennedy elaborated on the comparisons, stating that 'listeners haven't heard this dance-electro-pop side of Lopez since 1999. Much of her back catalog flirts with more gritty urban-pop sounds.' Editors for the made some comparisons between 'On the Floor' and another RedOne production, 's 2010 single, 'Party O'Clock'. DeLuna's song contains the lyrics 'Party in Ibiza, Party in New York/All the way to Africa/Love in the Caribbean/On my way to Vegas' whereas Lopez sings the nearly identical line, 'Brazil, Morocco/London to Ibiza/Straight to L.A. New York/Vegas to Africa.'
Critical reception. A scene from the clip where Lopez is styled with a and gold gladiator heels. She wears a dress with -esque detailing in its high collar and leaves. The clip begins with Lopez's arrival at a club in a black, one example of the used throughout the video. As the music begins, she puts on a pair crystal earrings before the camera switches to inside the club. Where it descends from the ceiling amongst the -style crystal chandeliers. Choreographer Frank Gatson Jr.
Called the club, 'the best dance party in town,' where Lopez played several different characters. Both the scenery and artist were styled to pay homage to her background as a professional dancer, she said she wanted the video to 'introduce people to a new J.Lo-ration of party people'. In one scene, she plays a dominant queen of the party who watches from above, on a balcony surrounded by servants. When portraying this character, Lopez was styled with 'a big, gold gladiator heels and a glittery gold gown with -esque detailing in its high collar and leaves.' The 'queen' character 'dangles lazily on a couch' and 'regally oversees a crowd of people getting down on the dancefloor.'
In another scene, Lopez wears a silver crystal and lace skin-tight catsuit, designed by Lebanese fashion designer, as she dances against a 'gold cardio ' before proceeding to shake her 'money maker,' according to the. Spliced in between these scenes, she is seen dressed in black harem pants and a bikini top, as she walks through the crowd to mount a circular stage on the Las Vegas-style dancefloor. 's Kelly Carter and 's Khawlhring Sawmteii described the final scenes as Lopez 'tearing up the floor,' and 'breaking it down 'fly-girl' style.' Reception The music video was welcomed with critical acclaim from music critics, praising the expensive finish, arrangement, Lopez's sense of fashion and the overall execution.
Based on a preview of the video, 's Tanner Stransky said the clip brought together a flawless realness with an expensive set-up, things that are 'very important elements in the pop music world and to the old Lopez that everyone knew and loved.' Following its full premiere, Stransky added that the video was 'sexy and sultry.' Kyle Anderson from 's Newsroom agreed, noting the 'gorgeous and exquisite execution,' particularly praising Lopez's 'incredible hairstyles' and the 'gorgeous club interiors set design.'
Anderson ended his review by stating that the premiere of the song's music video almost overshadowed the episode of in which it was shown. 's Benji Eisen called 'On the Floor' a 'comeback of sorts' for Lopez, particularly noting its clever with Idol and Lopez's multiple product endorsement deals. He applauded Lopez for moving on from her previous lack of commercial success in recent years. Kim Dawson, an editor for the UK daily newspaper, also praised the video for returning Lopez to her 'day job' (as a performer) despite being everyone's 'new favourite Idol judge.' The in the video for 'On the Floor' was likened to that last displayed by Lopez in the video for 2002's '. A reviewer from the said 'Jennifer Lopez once told us in song that 'I'm Gonna Be Alright' and now she's proved it.
The curves she displayed when she recorded the hit video nine years ago have been replaced by a leaner, fitter look in 'On the Floor'.' Matthew Perpetua from agreed with comparisons to Lopez's earlier work: 'Basically, this is classic Lopez tweaked for 2011. Visuals that update late-Nineties bling with a high fashion wardrobe nearly as eccentric as that of and.' As a result of the video's premiere, the online traffic at Lopez's official account increased by 1000%. In the space of two weeks, the video was viewed over thirty million times on Lopez's official Vevo page, according to. Live performances. Lopez performed 'On the Floor' during the On May 5, 2011, Lopez and took the stage of American Idol to perform 'On the Floor' for the first time.
The performance consisted of her breaking two dancers out of glass boxes, an elaborate dance routine and two appearances from Pitbull. Initially he appeared from the crowd, but for his second appearance, he arrived at the back of the stage via a moving staircase.
Lopez was dressed in a 'glimmering ensemble' while the set included lasers and. According to Adam Graham from, the performance was taped prior to the episode of Idol, made apparent by what Graham called 'sloppy editing.' According to, Lopez pretaped the performance due to a perceived danger of flying shards of glass from the earlier part of the routine. The performance was praised by Caryn Ganz from Music, who compliment all of the element of the performance. Ganz said 'everything from the lush production values to her own high energy dancing and live vocals. This performance maxed out what an artist can do in such a medium – awesome lighting, high-impact video footage, a strong feature from Pitbull, excellent staging, solid choreography, a bit of pyro, and a ton of warmth and personality.' An editor from magazine agreed, saying that 'Lopez showed the contestants how its done, commanding the stage during her smashing performance.'
The duo reprised their performance at 's music festival in, on May 14, 2011. Lopez wore a shiny gold catsuite for the performance, which did not go as planned when halfway through the performance her microphone failed.
She continued performing for 20 seconds, before realising that she had lost sound. According to lifestyle website Female First, Lopez proceeded to dance, and urged the audience to sing along.
At the end of the performance, Lopez addressed the crowd straight after the performance, saying 'We ain't gonna let that get us down, right? Nobody keeps mama down.'
After Pitbull informed her of the malfunction, she turned to the band asking them to start from the beginning so that she could perform the song again. On June 11, 2011, Lopez flew to the to promote 'On the Floor,' first appearing at 's. Later that day, she appeared at the finale of the of to reprise the performance. Wearing a skin tight catsuit, Lopez descended from the ceiling in an illuminated heart before proceeding to perform the song, which included her dropping to her knees during the chorus. Lopez reprise the performance on on June 14, 2011 and German game-show on June 18. Formats and track listings.
Alessandro Giulini –. Josh Gudwin – vocal recording. –. – songwriter. – vocal arranger, vocal editor, vocal producer, vocal recording.
Gonzalo Hermosa – songwriter. Ulises Hermosa – songwriter.
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Lopez On The Floor Lyrics
Chris 'TEK' O'Ryan – vocal editor, recording engineer. Armando ' Perez – vocalist, songwriter. Geraldo 'Teddy Sky' Sandell – songwriter. Low Sunday (Bart Schoudel & Ron Haney) – additional production for remix Charts.